This semester is doing its best to crush me, but I won't let it. I was ill last week, leading up to the weekend, and it caused me to get slightly behind on my work. That said, I was a little bit ahead before this, so I suppose things have just evened out. I still need to get caught up in Pragmatics and Love Poetry – those were the two classes I missed last week – and so right now I'm working through our second homework assignment for Pragmatics, which includes some interesting wordplay involving unicorns, and recreating a Sappho poem for my Love Poetry course.
Our assignment for Love Poetry is to take what fragments are left from a Sappho poem of our choosing from the Anne Carson translation I mentioned before, and 'fill in the blanks' as it were, recreating the poem as if it were written in Sappho's time. Currently I am struggling with this as I fight the urge to modernize the poem and as I try to find a voice not my own.
Speaking of poetry, I have recently undertaken a new project. I know, I know, I don't exactly need more things to keep me busy, but I have to have fun sometimes right? This side project can definitely be considered fun. When I was at Bread Loaf early in the summer I had the privilege of attending many panels and talks, as well as individual/small group meetings with various editors and agents. One of the people that I ended up talking to was Chad Post, who was there as a publisher/editor for Open Letter at the University of Rochester. In addition to publishing, Open Letter runs a weblog and international review source called Three Percent. After leaving Bread Loaf, I decided that I would sign up to write occasional reviews for Three Percent, and I received my first book today (October 4th) and so far I love it. It's a book of poetry, but I shan't say more than that here. Once I finish writing the review and it goes through editing I will be sure to post a link to it on this blog.
On the topic of editing, my work in the Student-Scholar Partnership is going well, and I continue to be very happy with this project. To have a paying job, part-time or no, that is in my desired field is an absolute dream for someone my age, and I'm very thankful for the opportunity.
Literary Translation is my dream, as readers of this blog may know, and as readers will also know, my thesis is centered around Sor Juana Inés de la Cruz and translations of her poems. At present I have scaled back the active translations as I am focusing a bit more on the content of my secondary source material for the critical introduction, although I of course work on bits and pieces when I have those rare spots of free time. I have an annotated bibliography of sources for my research seminar due next Monday, so I have also been working continuously on that.
Another research project that I am working on this semester is for my Pragmatics course. I'm still not entirely sure what I want to investigate yet; but our initial proposal (topic & research question, methodology idea, list of proposed papers) is due on the eleventh, so I'll have to come up with something soon.
Although I enjoy all of my courses and projects, I am developing a soft spot for my course on Ancient Greek. Learning this new (to me) language is a bit like solving a puzzle and slowly unwrapping a gift, and seeing all the pieces come together and getting a closer look at the prize is very enjoyable to me. When I am stressed out over bibliographies and papers and poems, untangling a sentence is oddly therapeutic.
Getting out all my thoughts on paper (or on screen I suppose) has a similar affect, so in a way I feel indebted to this blog for helping me process my strengths and weaknesses this semester. I hope you enjoyed this little peek into my mind.
Cheers,
Talia
A place for me to reflect on translation, language, and thoughts about life.
Showing posts with label Bread Loaf. Show all posts
Showing posts with label Bread Loaf. Show all posts
Wednesday, October 4, 2017
Check-in 2
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Tuesday, June 20, 2017
Bread Loaf 2017 Part III: Evaluations
I have made a couple posts about the emotional and professional impact that Bread Loaf 2017 has had on me, but I also realize that I have missed out on describing the event in detail. I welcome you to now peruse the responses I put on the official evaluation form last week.
What did you like about the workshop?
I liked that the workshop had a mix of different genres. While I
workshopped poetry for this workshop, the fact that other people translated
prose had an impact on me, because I can take that back when I translate my own
prose. And yet there is more to it than that. I think the fact that we had a
mixed genre gave us different views about to approach our translations, and
while I say it has been helpful for me, I hope that it was also helpful for
others. The group was accepting and warm, but also one that could give
meaningful feedback that was carefully construed. The fact that we were a mix
of languages too helped us immensely. As a firm believer in the idea that
languages teach you how to think in diverse ways, it was a joy to work with
people who all had such different thoughts in their heads.
What about the workshop might have been better?
I would have liked to have more time with the people in my workshop. I
feel that it is a talented group of people to work with, and yet we had so
little time with one another we didn't quite get into the swing of things where
we were comfortable enough to express ourselves in a way that I think caused a
disadvantage towards the others. I think we could also benefit from something
that another workshop group in Orion that I heard about where everyone had to
read and comment a minimum of one sentence about each member's piece so that we
could be on common ground. Another thing that my workshop and I talked about is
the idea of everyone writing an accompaniment to our pieces describing what the
touchstones are and what we think about our works and our writers.
- ways for us to articulate what the traction was for the piece
- explain what the project means to the translator, and to the literary world.
- what we are hoping to discuss about the piece
- what we know we don't know.
Which lectures did you attend, and where they useful?
Unfortunately, I was ill for a portion of the conference and the only
lecture I attended was Idra Novey's "Writing While Translating." I
thought that this lecture was fantastic. After having gone to this lecture I
gained a much better sense of self and sense of comfort in the idea that I am
both a writer and a translator. Her advice also about switching genres and
going from translation to our own work has allowed me to conceptualize the fact
that I don't need to compartmentalize the different sides of myself.
Which classes/talks/panels did you attend, and were
they useful?
I attended the panel "On Publishing Literary Translation"
with Elaina Ellis, Tynan Kogane, Fiona McCrae, and Michael Z. Wise which I
thought gave a great deal of useful advice for the publication of books in
translation, but I feel left a gap in terms of what journal publishing is like,
which Idra stressed to us as also being equally if not more important.
Contrastively I loved the talk "Contracts and Copyright."
with Chad W. Post because I feel that it filled in many of the gaps left by the
panel, and the systematic way that he broke everything down for us was both
instructive and insightful, and he took to heart what the audience had to say
and what they wanted to know, which is the same case with the panel, however
that was a little less organized since they thought they would have a moderator
and without one everyone in the room was caught a bit off-guard I think, which
set the tone a bit lower than it otherwise might have been.
The class I went to, "Translation Heresies" was excellent for
many reasons, but mostly because Christopher Merrill has such a vibrant
presence it would be hard not to enjoy a class put on by him. The way that he
talked about translating languages one does not know was fascinating, and has
inspired me to try the same in the future once I have a more stable career and
a project that I am truly engaged in.
What did you think of the Bread Loafer Readings?
I absolutely adored these readings. Hearing so many voices, from the
translators' conference and Orion both together was an amazing experience
because these fields may seem distant, but when 18 people each go up and share
what they have to say it both brings in a focus and tells us all that we are
much more similar than we might think. I did a reading, and while I do have
some experience with public speaking I still found myself shaking and suffering
from imposter syndrome something fierce because how
could I compare to the amazing things other people have done and said?
But after I spoke and the readings that day were done I had people tell me that
they liked the job I had done with my translation and poem and throughout the
days after people were talking about my work, each time reassuring me that I
had a place in this community.
How were your editor meetings?
My editor meetings were excellent! I had an individual meeting with
Michael Z. Wise, and while I am early on in my project he gave me a great deal
of advice as to how to advance my work on Sor Juana beyond just writing my
thesis and how I can build myself up as someone just now starting in the field,
and overall, he was very helpful, being that he not only had knowledge but was
also supportive and friendly.
My group meeting was with Chad W. Post and he went into much more
detail than at the talk (previously discussed above) telling us about his work
and how our work can be built up. He showed interest in everyone's projects and
in helping us move forward with them, taking time to speak with all of us
equally and with sharp ideas.
Please comment on the special programing, such as the
bird walks, music night, and Frost picnic.
I did not go to any of these events, because I slept in most days until
breakfast, went to bed early the night we had music and since the rescheduled
Frost Picnic occurred during one of my editor meetings I did not go.
What did you think about the food, dining room, and
kitchen?
Everything about them was fabulous. The food was not only superb, but
their willingness to work with dietary restrictions was unparalleled when
compared to eating anywhere but my own home, and the cooking was far above my
skill level. The staff and chefs were all kind and helpful, and truly
delightful people all-around. The dining room was spotless, despite all the
people who were there and the kitchen was very sanitary. I thought overall it
was the best I have eaten in a while. I also appreciate the ready availability
of water and other beverages.
Did the Wi-Fi work for you? If not, what problems did
you encounter?
Yes, however as a college student I was using eduroam, as opposed to
what the rest of the conference was working with.
Where did you stay, and how were your accommodations?
I stayed in the inn itself, and it was a very convenient and
comfortable location, especially since it rained many times and I didn't need
to get caught in it to get breakfast. The room was consistently a comfortable
temperature, the sheets were clean, blankets and towels were soft, I had no
complaints. I additionally found that the key codes on the doors were genius
because it meant that if I remembered the numbers I never needed to worry about
locking myself out.
Please comment on the stock in the Bread Loaf
bookstore. Did you find what you needed? Are there items you would suggest
adding?
I only went once, and if was a quick browse. The stock was interesting,
but I had very little money so I didn't buy anything but a snicker's bar.
We would love to hear your thoughts on the shared
campus. What was your experience like sharing the campus with BL Orion?
I loved the shared campus atmosphere. The back and forth between the
two conferences as we explored our similarities and our differences was
excellent because the slightly shifted perspective allowed us all to learn from
one another.
How was the communication leading up to the
conference? Do you have any comments for us on the handbook, editor sign-up,
and manuscript packet mailings?
I thought that it all covered things well, apart from the fact that we
did not get as detailed instructions about what to present with our works and
what the works of others would be like since it was not necessarily
standardized. As a tiny detail, I think that when the manuscripts are all
complied into one PDF there should be an over-arching set of page numbers
beyond the individual pieces to make it easier to get on the same page when
discussing a work.
How did you hear about the Bread Loaf Translators'
Conference (if you could include some detail here, that would be great)?
I heard about Bread Loaf via a notice in the Comparative Literature and
Culture Listserv at Brandeis University. Since I am the Undergraduate
Departmental Representative for the program I pay a great deal of attention to
everything that gets sent out.
Please list any translation and/or writing groups or
organizations in the U.S. or abroad that you belong to or recommend that we get
in touch with to help spread the word about the conference.
I am not participating in any other translation writing groups or
organizations, it is however my focus of interest at Brandeis University
towards both my BA and MA degrees.
What social media do you use most often?
It is a split between Tumblr, blogger, LinkedIn and Facebook. My
personal blog is hosted on both Tumblr and blogger. Meanwhile I also use
Facebook and LinkedIn regularly, and Instagram and twitter a little less so. I
have a snapchat, but I almost never use it.
Would you recommend the conference to a friend?
Yes! I think anyone with an interest in translation would love this
conference.
Please take a moment to add any additional comments or
suggestions?
There are a few things I would like to suggest for the future:
- more people who work with Asian languages, as well as more people who work with indigenous languages to widen the discussion of translation between differing languages and cultures beyond the western world. There were a fair few at this conference, however not as many as those who worked with French or Spanish (including myself). The amount of people working with Spanish outnumbered Amharic, Arabic, Chinese, Haitian Creole, Czech, Danish, Galician, Italian, Japanese, Latin, Norwegian, Russian, Urdu and Yiddish combined. Note that some of those people were in both that language and Spanish, but I am trying to prove a point here. Not that I want you to stop admitting people for Spanish, because that's my language, but I'm just putting it out there.
- Have people who are editors for journals just as represented and advertised as those for book publishing, as well as similar events.
- A bigger window for breakfast, at least in terms of continental bagels or cereal.
- Less exclusively late-night events. Some people must retire earlier than others, especially those with medical issues.
- An informal yet scheduled time for peer workshopping, possibly by language and cross-workshops.
- It seems short to only have 4 days of workshop to get to know and share with the group, so a longer time frame for the conference would be advantageous.
- Some light classes or talks about translation theory for those in manuscript workshops who are doing less theoretical work as compared to the introductory workshops.
- Discussions of how to choose a good writer and how to identify a project worth publishing.
So there you have it, my full evaluation of Bread Loaf. I hope that you enjoyed my critique of this awesome place.
Cheers,
Talia
Tuesday, June 13, 2017
Bread Loaf 2017 Part II
I meant to have this post out last Friday, but since I spent most of Friday morning in a car, and my posts now come out at noon, that seemed a little impractical. And I didn't want to rush this. Last Friday was the last day of the Bread Loaf Translators' Conference. Even so, I wrote the beginning of this post on Thursday night, which was the last full day of the conference.
As I wrote the original beginning of this post, I sat in the Barn, which has been the main social location for the conference. True, I probably should've been socializing instead of writing, but as far as things typical to my life go, I have much more experience with the latter than the former, but I try to overcome that tendency
Socializing went reasonably well, and when the time came to have dinner I wasn't exactly sure what I could eat, so I sat down with a glass of wine and my notebook until I found some people to sit with. That said, you don't want a blow by blow, so I'll just say we had peanut butter chocolate pie and it was good.
The dinner was a bit fancier than our others, what with the wine and all, but as our last one together it was nice. We've built a great community here at Bread Loaf, and I feel greatly connected to all the friends I have made, and thanks to social media it seems I'll even be able to stay connected.
From Bread Loaf I have gotten more than just book recommendations and publishing tips, I've made friendships and gotten life advice and generally have had a grand old time. This was a great learning experience for me, and I'm so glad that I made such meaningful connections.
I've learned what it means to have found my narrative twin, learned more about my work, seen the great work of others, and heard beautiful poetry and prose that has made me understand that there is suffering, but also beauty in the world and I truly feel that together we can make a change. But this blog isn’t a soap box, and I don't want to get too emotional, so here are the top 5 things I have learned and had reinforced over the course of this conference.
1. Understand the emotional heartbeat of your piece
2. Translate the author that is right for you
3. Create a dialogue between translator/author/work
4. Tell the stories you want told
5. Translate for the love of translating
As two bonus economical tips, 1. make sure you know who has the rights to your piece and 2. don't sign a work-for-hire contract. I've gotten much more out of this conference than I could put in a single post, but I don't want this to go too long. Thanks to everyone who was at the conference who made it such a great atmosphere, and thanks especially to my workshop leader Idra Novey for guiding us all so well!
Cheers,
Talia
P.S. It rained for most of the conference, but we had a couple days where we workshopped in the sun when it finally came out!
As I wrote the original beginning of this post, I sat in the Barn, which has been the main social location for the conference. True, I probably should've been socializing instead of writing, but as far as things typical to my life go, I have much more experience with the latter than the former, but I try to overcome that tendency
Socializing went reasonably well, and when the time came to have dinner I wasn't exactly sure what I could eat, so I sat down with a glass of wine and my notebook until I found some people to sit with. That said, you don't want a blow by blow, so I'll just say we had peanut butter chocolate pie and it was good.
The dinner was a bit fancier than our others, what with the wine and all, but as our last one together it was nice. We've built a great community here at Bread Loaf, and I feel greatly connected to all the friends I have made, and thanks to social media it seems I'll even be able to stay connected.
From Bread Loaf I have gotten more than just book recommendations and publishing tips, I've made friendships and gotten life advice and generally have had a grand old time. This was a great learning experience for me, and I'm so glad that I made such meaningful connections.
I've learned what it means to have found my narrative twin, learned more about my work, seen the great work of others, and heard beautiful poetry and prose that has made me understand that there is suffering, but also beauty in the world and I truly feel that together we can make a change. But this blog isn’t a soap box, and I don't want to get too emotional, so here are the top 5 things I have learned and had reinforced over the course of this conference.
1. Understand the emotional heartbeat of your piece
2. Translate the author that is right for you
3. Create a dialogue between translator/author/work
4. Tell the stories you want told
5. Translate for the love of translating
As two bonus economical tips, 1. make sure you know who has the rights to your piece and 2. don't sign a work-for-hire contract. I've gotten much more out of this conference than I could put in a single post, but I don't want this to go too long. Thanks to everyone who was at the conference who made it such a great atmosphere, and thanks especially to my workshop leader Idra Novey for guiding us all so well!
Cheers,
Talia
P.S. It rained for most of the conference, but we had a couple days where we workshopped in the sun when it finally came out!
Tuesday, June 6, 2017
Bread Loaf 2017 Part I
Hi All! This week I am at the Bread Loaf Translators' Conference, and it has been great so far. The workshops have been quite fruitful, as there is so much talent among the people I have worked with, and as is the nature of workshops I have learned as much from working with others on their texts as I have when getting feedback on my own work. Seeing the scope of approaches that others take has been an eye opener for me.
As an additional bonus that we have in the translators' conference is that the Bread Loaf Orion Conference is being held co-currently, and so we are getting to hear from other people in an adjacent field. There are Bread Loafer readings every few days, and they are great because we are getting to hear from not only people reading translations, but the original works of people from the Orion conference. I myself read one of my poems at a reading yesterday.
I admit that I was scared to go up to that podium. Not so much because of the public speaking, which I've had some experience with, so the nerves weren't too bad on that front. No, my issue was with what I was saying. My translations of Sor Juana's work are like my babies. I've put a strong effort into every one of them, and I'm proud of how far they have come. That said, a workshop is a workshop and 90% of the time that one gets workshopped they end up wanting to spend the next few hours gutting everything. A translation workshop is a bit different than an original writing workshop, because I can't gut a translation like I can gut a short story that has an over-extended peanut metaphor. So seeing as how I finished getting workshopped at 12:30, immediately went to lunch and then attended a lecture, I actually only had an hour and a half.
I think I made it work. This certainly isn't the best I have ever done, but I'm proud of myself for having done so. In fact, as I had a little extra time left, once I finished reading the translation I read a short original poem that I wrote for a workshop a few years ago. I won't share it here, because I hope to have it published in a poem collection someday. If it ever is, I'll update this post with a link. 😘
Cheers,
Talia
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